RC:
OEL manga is a highly divisive subject among those who are fundamentally concerned with the semantic particulars of what makes manga and what gets called manga or not. I had not formalized my thoughts on the matter yet, but I think some of them began to crystallize when Naughty Ninja brought up Offbeat tonight, citing its excellence yet, still hesitant to call it manga, let alone be comfortable with the existence of the term 'OEL manga'.
But for the most part, I believe that OEL manga should be an aspirational ideal and not a marketing/publishing conceit; that ideal being that non-Japanese creators or 'gaijin' choose to write comics using the forms and conventions of manga as a 'narrative style' rather than just its visual tropes.
For example, manga makes use of a lot of temporal decompression across multiple panels that spread beyond the confines of one page. For dramatic effect, an author can have one spoken line of dialogue running across two pages to preserve the emotional gravitas of that moment, as can be seen in 'the holy cow moment' when Darth Vader reveals to a wide-eyed, drop-jawed Luke that he is Luke's father.
Hechinger goes on to elaborate that it is this sort of "Da...da...DOM" pacing, that may be spread across multiple pages at the author's whim, which is in stark contrast to the use of end-chapter cliffhangers that the Western media favors. In a Mark Millar comic, the same line would be an entire page on its own with a glamour shot of Vader as if he's wearing a smug grin under his mask.
Naughty Ninja pointed out that the lack of manga-narrative style in Offbeat is in stark contrast to Svetlana Chmakova's Dramacon which occasionally utilizes some of the 'anti-grid' busted panels that characterizes 'shoujo'. But, having not read Offbeat, the issue of whether or not it is manga is hardly my point.
To reiterate my point about using the forms and conventions of manga as a 'narrative style' rather than just its visual tropes, to talk of OEL manga is not to talk of big eyes, exaggerated hairstyles and other surface visual hallmarks, but rather to talk of a world where even a gaijin can draw a manga! That, to me, is what OEL should be from a theoretical perspective.
In any case, manga is not just an art-style, but a specific cultural reaction in Japan. Quite honestly, having a gaijin replicate that without being born of the same cultural circumstance is simply impossible.
Which of the following statements best brings out the central idea of the passage?a.OEL manga is a lost cause, as non-Japanese creators can never emulate the distinctive cultural style that is characteristic of original Japanese manga.
b.The unique narrative style that manga employs cannot be perfectly captured by non-Japanese works due to the different cultures that the gaijin creators of such works come from.
c.Contemporary comic makers are hesitant to use the term 'manga' or even 'OEL manga' for their creations, citing that there is a huge cultural and stylistic divide between modern-day work and classical manga.
d.There is no point of a gaijin crafting OEL manga given that Westerners tend to use exaggerated visuals and graphics instead of focusing on jaw-dropping narrative.
a.The dramatic style that manga authors utilize to pull a reader into the emotional gravitas of a storyline is dissimilar to the style used by their Western counterparts.
b.It would be impossible for an OEL-creating gaijin to do justice to the emotionally charged meeting between Darth Vader and his son Luke.
c.OEL fails to bring to life the depth of emotions which Japanese creators are able to achieve in original manga comics.
d.A Mark Miller rendering of 'Darth Vader meets Luke' would have been more glamorous and hence, awe-inspiring than the original manga, which had a single dialogue cut across two pages.
Which of the following scenes in a comic definitely match/matches the author's conception of the ideal OEL manga?
a.A flurry of hard-written dialogues across panels that show Leon wrestling an alien warlord to the ground as his lavish, neon-colored hair flutters behind him.
b.Overly cute Minions gather around Gru, puppy love in their big eyes, as he is sketched holding out his arms and picking each one in turn.
c.Surface visuals are played upon heavily in a two-page, animated dialogue between Garfield and his anthropomorphic pet cat, Jon.
d.None of the above
-CL Proc